discontinuous contour - определение. Что такое discontinuous contour
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Что (кто) такое discontinuous contour - определение

PERCEIVED PITCH OVER TIME
Contour (music); Musical contour

contour ploughing         
  • "Contour bunding", Catalonia, 2007
FARMING PRACTICE OF PLOWING PERPENDICULAR TO SLOPES TO REDUCE SOIL EROSION
Contour bunding; Contour farming; Contour Farming; Contour ploughing; Contour planting
¦ noun ploughing along the contours of the land in order to minimize soil erosion.
Contour plowing         
  • "Contour bunding", Catalonia, 2007
FARMING PRACTICE OF PLOWING PERPENDICULAR TO SLOPES TO REDUCE SOIL EROSION
Contour bunding; Contour farming; Contour Farming; Contour ploughing; Contour planting
Contour bunding or contour farming or Contour ploughing is the farming practice of plowing and/or planting across a slope following its elevation contour lines. These contour lines create a water break which reduces the formation of rills and gullies during times of heavy precipitation, allowing more time for the water to settle into the soil.
Mova (camera system)         
MULTI-CAMERA HIGH RESOLUTION FACIAL CAPTURE SYSTEM
Contour (camera system)
Mova Contour is a multi-camera high resolution facial capture system originally developed by former Apple Computer engineer Steve Perlman. It records surfaces (specifically of actors' faces) digitally, by using fluorescent makeup and stereo triangulation, allowing for very detailed digitization and manipulation.

Википедия

Pitch contour


In linguistics, speech synthesis, and music, the pitch contour of a sound is a function or curve that tracks the perceived pitch of the sound over time. Pitch contour may include multiple sounds utilizing many pitches, and can relate the frequency function at one point in time to the frequency function at a later point.

It is fundamental to the linguistic concept of tone, where the pitch or change in pitch of a speech unit over time affects the semantic meaning of a sound. It also indicates intonation in pitch accent languages.

One of the primary challenges in speech synthesis technology, particularly for Western languages, is to create a natural-sounding pitch contour for the utterance as a whole. Unnatural pitch contours result in synthesis that sounds "lifeless" or "emotionless" to human listeners, a feature that has become a stereotype of speech synthesis in popular culture.

In music, the pitch contour focuses on the relative change in pitch over time of a primary sequence of played notes. The same contour can be transposed without losing its essential relative qualities, such as sudden changes in pitch or a pitch that rises or falls over time. Often used in the analysis of post-tonal music, Michael Friedmann's methodology for analyzing pitch contour assigns numeric values to notate where each pitch falls in relation to the others within a musical line; the lowest pitch is assigned "0" and the highest pitch is assigned the value of n-1, in which n= the number of pitches within the segmentation. Therefore, a contour that follows the sequence of low, middle, high, would be labeled as contour class [012]

Pure tones have a clear pitch, but complex sounds such as speech and music typically have intense peaks at many different frequencies. Nevertheless, by establishing a fixed reference point in the frequency function of a complex sound, and then observing the movement of this reference point as the function translates, one can generate a meaningful pitch contour consistent with human experience.

For example, the vowel e has two primary formants, one peaking between 280 and 530 Hz and one between 1760 and 3500 Hz. When a person speaks a sentence involving multiple e sounds, the peaks will shift within these ranges, and the movement of the peaks between two instances establishes the difference in their values on the pitch contour.